'Domestic Flight', 2025
An interactive installation where a pair of pigeon wings remains motionless until the system detects eye contact with the laptop. Only while the viewer sustains that gaze do the wings begin to move – unseen behind them, while their spoken words are transcribed in real time.

An exploration of domestication, empathy and the mechanics of communication.

In collaboration with Jevons Wang @jevonsjevonsjevons

Domestic Flight, 2025
Taxidermied pigeon wings, bird feed, steel gabion, live voice to text projection (p5.js), biometric facial recognition (ml5.js) and physical computing (Arduino)

Desire, I Want To Turn Into You, 2025
aluminium, plywood, greenscreen

Desire, I Want To Turn Into You, 2025
A research project responding to the condition: With the innate incompleteness that defines the human subject, we find that the feeling of desire runs deep within not only us as consumers, but also in the cogs of the systems that perpetuate consumer behaviour, as we all continually seek to fill our absences.

Desire, I Want To Turn Into You, 2025

Obsecure, SKANT Runway 2025
Set Design

In collaboration with Jevons Wang @jevonsjevonsjevons

Canteen Rubble, 2025
A construction yard turned canteen, hosted by the Architectural Association School of Architecture (London) and built by Rubble and students, solely from found construction waste material.

In collaboration with design and research collective Rubble @rubble_____ (Dublin) and students.

'The EYE' Design and Production End of Year Exhibition, 2025
Identity

In collaboration with Jevons Wang @jevonsjevonsjevons

'The EYE' Design and Production End of Year Exhibition, 2025
Social Media Assets

tuef, 2025
Party scenography, built solely from construction waste materials, hosted at the Architectural Association School of Architecture (London).

In collaboration with design and research collective Rubble @rubble_____ (Dublin) and students.

Reading Matter, 2025
A collaborative publishing programme as part of the BLOP BLOP BLOP 2025 curatorial programme. The subject of the publication treats the institution as a site that might be read, re-read, re-written, adjudicated, walked on, backed up, rejected, accepted, and that takes place as confluences of preferences, feelings, directions and materials across place, history and subjectivities.

In collaboration with Adam Cruickshank @adammcruickshank, George Paton Gallery @georgepatongallery and students. Published by True Belief.

In Situ: X, 2025
A short furniture showcase based in Melbourne, with the curatorial focus of rethinking how we live and move within domestic environments given the current issues we face in the housing climate and urban shifts. Rooted in the principles of accessibility, adaptability and care, the event’s mission is to equip modern renters and urban dwellers with creative yet practical solutions to their domestic wellbeing.