The Dream Park, AI Generated Zine, 2024
This project explores the creative possibilities of artificial intelligence through the use of Conversational AI (ChatGPT) and Generative Image AI (Adobe Firefly). I combined text prompts from ChatGPT with images produced in Adobe Firefly and collaged them together with AI-generated lyrics. The resulting zine portrays a bizarre, dreamlike amusement park drawn from childhood memories, blending surreal imagery with a cult-like, dream-core aesthetic. The work reflects my curiosity about how AI can extend human imagination and generate new forms of narrative and visual expression.

Drown In a Dream, handmade model with mixed media, 2025
This work depicts a derelict swimming pool. It tells the story of a post-human future where a lone robot discovers this abandoned space and attempts a leap from the high diving platform, seeking the sensation of floating in water.This piece reflects my broader practice of using tactile, miniature constructions to evoke immersive narratives and emotional resonance.

Typespecime(IBM Plex Mono), paper, 2025
This type specimen explores the visual and functional qualities of IBM Plex Mono—a monospaced typeface designed for clarity, rhythm, and precision. The project presents the typeface through a system of modular grids, contrasting scales, and dynamic compositions that highlight its technical yet human character. By combining receipt-like layouts with bold typographic gestures, the work reflects my broader interest in how typography communicates both structure and emotion. This project allowed me to investigate the relationship between legibility and personality in type design.

The Reverie Festival, festival identity and spatial design, 2025
Reverie Film Gathering is a seven-day outdoor film festival that celebrates experimental cinema, storytelling, and communal life in nature. The design concept imagines a temporary cinematic village—an immersive environment where film, light, and landscape merge. Drawing inspiration from dreamlike narratives and the poetics of slow time, the visual identity combines fluid typography, organic forms, and a highly saturated color scheme natural palette to evoke a sense of dream and reflection. This project reflects my interest in designing experiences that connect people through emotion and atmosphere, and in exploring how visual identity can extend beyond print into spatial and environmental encounters.

Colour A to B, paper and cardboard, 2024
For two months, I photographed my daily meals and extracted three to four dominant colours from each dish, translating them into geometric compositions. The project captures the natural palette of everyday food and reflects on the connection between nourishment, rhythm, and design. It also marked an important stage in my practice—combining observation, colour theory, and tactile making into a single body of work.

On the road at Eighteen, digital, 2025
On the Road at Eighteen is a one-minute experimental video inspired by Chinese writer Yu Hua’s short story. Through layered collage, fragmented narration, and dreamlike motion, the film reinterprets Yu Hua’s surreal and emotional tone in a contemporary visual language. Combining analog textures with digital editing in After Effects, the work explores memory, departure, and the blurred boundary between reality and imagination. This project marked my first exploration of digital storytelling, connecting my graphic design background with cinematic and narrative expression.

Spin the Loop, a set of kinetic installation and video, 2025
Spin the Loop (A Copy of a Copy) is an experimental animation device inspired by the zoetrope and the idea of repetition in digital culture. The work explores how habitual gestures—such as swiping, zooming, and tapping—can be transformed into rhythmic visual loops. Using mirrored surfaces, circular motion, and layered paper strips, the installation creates an illusion of continuous movement, blurring the line between analog and digital perception. The project reflects my ongoing interest in motion, routine, and the persistence of vision, reinterpreting everyday digital gestures as tactile, mechanical experiences.