Echos of Us, 2025
Echoes of Us explores the emotional and social implications of human connection and its artificial imitation. The accessibility to digital comfort through AI gives the illusion of closeness, yet it remains uncertain whether this intimacy heals loneliness or quietly feeds it.
The web-based project is chat interactions and visual identity systems of AI companions modelled with an unexpected personality. Each persona a fragment of memory and personality, an echo of a friend, distorted and reinterpreted though machine learning.
The work explores what is lost, invented and familiar in digital intimacy. It questions whether the warmth we feel in digital companionship is genuine or merely a reflection of our own desire to be seen, cared for and understood. Echoes of Us blurs the line between connection and simulation, asking whether companionship can remain authentic when generated algorithmically.
https://echos-of-us.netlify.app/
Echos of Us, 2025
Echos developed into a brand; the posters depict the personality of each AI companion accessible on the website as promotional material of the company.
Fish Tales, 2025
We are an ethical Australian tinned fish brand reimagining a pantry classic for a new generation. We bring together transparency, authenticity, and sustainable practices with playful, design-forward packaging to make tinned seafood feel fresh, fun and social. Our contemporary refresh turns everyday eating into something aesthetic, ethical, stylish, indulgent, and joyful.
Molly Stanko
Fish Tales
Tin design for Fish Tales brand
Figma Mockup, 2025
Website main page design for Fish Tales brand
https://www.figma.com/proto/C0VYQpdHsfJSgFadHWNzDM/Fish-Tales-Website?node-id=0-1&t=xkGOph9innWp9maP-1
Raffiné Type Specimen, 2025
The typeface CoFo Raffiné was created for elegant, sophisticated headings. It’s very name, “Raffiné” [adjective], translates to polite, well-mannered, elegant. Therefore, the typeface was intentionally designed to embody demure, politeness and refinement.
Raffiné Type Specimen, 2025
The EYE, 2025
Continuum presents a fresh and contemporary exhibition identity that reflects design as an ongoing process of growth and reflection. Our identity is energetic yet introspective, capturing the rhythm and momentum of the creative process. It marks a moment of transition for each student, representing both culmination and renewal. It holistically positions the exhibition as a key moment of transition in our careers and lives, as a ‘full circle’ moment. Through a clear and cohesive visual language, the exhibition celebrates progress, persistence, diversity, and a collective enthusiasm in what’s to come within the graduating cohort.
Molly Stanko
The EYE, 2025
The EYE Social applications
Molly Stanko
I am a Graphic Design and User Experience student. My work explores how design can shape the way we interact with the world and digital systems. My time at VCA has helped me develop my creative language to produce engaging visual experiences though graphic design outcomes.