VCA DESIGN & PRODUCTION
GRADUATE SHOWCASE
GRADUATE SHOWCASE
The Organ Manual, paper, 2025. The Organ Manual is a speculative design project set in a near future
where organ selection has become a matter of consumer choice. Framed
as a technical manual, my project guides prospective customers through
the process of customising their future child or selecting organs
from offspring raised for organ farming. Using the visual language of
bureaucratic documents, my work adopts a grim, clinical tone to confront
audiences with urgent ethical questions: what does it mean to be human when
life itself is engineered, bought, and sold?
A1 poster series, 2025. postersThe EYE Posters made for the End Of Year Exhibition Identity. Concept: Just as pixels form the foundation of digital displays, every discipline in the School of Design works with its own ‘pixels,’ the smallest building blocks of creativity. In graphic design, they are digital units; in performance and
production, they are the lights, sounds, and gestures; in film and television, they are the frames and images; in costume, they are the stitches and fabrics; in music, they are the notes and beats. Together, these pixels combine to form the larger image of the exhibition, a collective vision of resilience and forward-looking design.
LitScreen Billboard, 2025. LitScreen is a Book to Film Adaptation festival that was created in my branding subject.
Lionel's cafe menu, paper, 2025. Rebrand of Lionel’s Cafe situated in the Southbank campus. This is a menu of the new visual design of Lionel's cafe, portraying a more jazzy and contemporary style than their current design.
My Days in September 2024, paper, 2024. This was created as a project in the Colour Studio subject where I recount the days I've spent everyday in September of 2024, but in the form of a Chinese calendar.
PP Playground type specimen book, paper, 2025. The type specimen book for the font 'PP Playground.'
Photography, 2025. Street photography taken for the subject Imagery in Graphic Design. The chosen theme was sondering: the realisation that every other person has a life as complex as your own, even though you may not be aware of it.
Photography, 2025. Street photography taken for the subject Imagery in Graphic Design. The chosen theme was sondering: the realisation that every other person has a life as complex as your own, even though you may not be aware of it.
I'm a designer based in Melbourne, Victoria, who did a bachelor of Design, majoring in both graphic and UX. My time at the Melbourne School of Design has taught me to refine my own personal style that revolves around the use of colours, experimental typography and motion design. I also like to explore other interests such as animation and hand drawn art as a way to express myself and integrate it through my graphic design process. My biggest inspirations are Saul Bass, Josef Müller-Brockmann and Takashi Murakami. Other than design, I do like to spend time exploring other aspects of art such as photography and movie storyboards.