VCA DESIGN & PRODUCTION
GRADUATE SHOWCASE
GRADUATE SHOWCASE
Fighting For The Worker's Future: Join The Factory to back your FUTURE!, Print on paper, 2025.
Inspired by Cold War-era propaganda materials from the USSR and the USA, this series of posters, through the narrative of a factory, aims to highlight how confronting imagery and text can create a distorted copy of reality, and mold the populace into the desired agenda by those in power.
This work is created so the Factory can create a false positive image and hope in working for them, suggesting the workers to only think of “working hard”.
Fighting for the Worker's Future: Faced with Destructive Idea? SAY NO!, Print on paper, 2025.
Poster of the factory warning its workers to not think of any idea that could be destructive or harm the factory’s profit.
Fighting for the Worker's Future: Trust in us, not in Union’s LIES!, Print on paper, 2025.
Poster of the factory warning the danger and lies from the unions, in hopes of the workers never unionise and diminishing the factory’s control and profit.
Fighting for the Worker's Future: Laziness is Prosperity’s ENEMY!, Print on paper, 2025.
Poster that encourages workers to report each other for any lazy behaviour. Creating doubts between workers so they can never unite to fight for their rights.
Fighting for the Worker's Future: Working at your Factory is an HONOR!, Print on paper, 2025.
Poster that emphasises the prestige and honour of working at a factory, in hopes of increasing worker’s loyalty and productivity.
My name is Nathaniel Fong, and I’m a designer specialising in 3D graphics. My passion lies in experimenting and developing new styles and techniques that bring 3D models to life.
Most of my projects begin with a central aesthetic or character, which gradually evolves into a unique identity and style. Throughout my time at VCA, I’ve become more experimental, exploring new visual directions with each project. These have included comic, gothic, and filmic styles. Now, in my last project, one inspired by the Cold War era.
Inspired by Cold War-era propaganda materials from the USSR and the USA, this series of posters, through the narrative of a factory, aims to highlight how confronting imagery and text can create a distorted copy of reality, and mold the populace into the desired agenda by those in power.